<p>Par Chantal Francoeur</p><p>Sans droit de vote aux élections fédérales et provinciales, pas tout à fait des personnes au sens de la loi, seize femmes fondent envers et contre tout le Cercle de presse des femmes canadiennes, en 1904. Huit francophones et huit anglophones, elles écrivent pour les pages féminines de différents journaux – <em>La Presse</em>, <em>La Patrie</em>, <em>Montreal Daily Star</em>, <em>Toronto Evening Telegram, </em>etc.</p>
READ MORE<p> </p><p><strong>Voir aussi: <a href="http://projetj.ca/article/juges-et-journalistes-une-relation-construire">Juges et journalistes: une relation à construire</a> et <a href="http://projetj.ca/article/interdiction-de-filmer-dans-les-tribunaux">Interdiction de filmer dans les tribunaux</a></strong></p>
READ MORE<p><strong>By David McKie</strong></p><p>Normally, I dislike leads that contain questions.</p><p>But stories that use data to drive the narrative usually begin with the journalist asking a question. So here are a few.</p>
READ MORE<p>Along with the Charter of Rights and Freedoms, Canadians' right to freedom of the press turned 30 years old today.</p><p>But as Ivor Shapiro asked in <a href="http://j-source.ca/article/press-freedom-who-gives-damn-anyway" target="_blank" rel="noopener">a column</a> here in February: does anyone really care?</p>
READ MORE<p><em>For Oscar-winning documentary maker Sharmeen Obaid Chinoy, making films is a way to promote social change. In this exclusive interview for J-Source, she tells <strong>Sneha Kulkarni</strong> it's not the awards that matter, but the lives you change.</em></p><p class="MsoNormal">Oscar winner Sharmeen Obaid Chinoy shrugs off suggestions of newly found celebrity and stardom, instead the documentary maker describes herself as a social crusader. <o:p></o:p></p>
READ MORE<p>Les rédactions traditionnelles n'ont plus le monopole du journalisme de qualité. Le journalisme web vient en effet de remporter <a href="http://www.pulitzer.org/">trois prix Pulitzer</a>. Le <em>Huffington Post</em>, <em>Politico</em> et le site du <em>Denver Post</em> sont parmi les 14 récipiendaires du prestigieux prix qui récompense chaque année la crème de la crème du journalisme américain.</p>
READ MORE<p><strong>Voir aussi: <a href="http://projetj.ca/article/convergence-verticale-le-crtc-serre-la-vis">Convergence verticale: le CRTC serre la vis</a></strong></p><p>Par Hugo Prévost - Publié sur <a href="http://www.pieuvre.ca/">pieuvre.ca</a></p>
READ MORE<p>Randy Starkman covered 12 Olympic Games, won two National Newspaper Awards and was generally lauded as one of the best amateur sports reporters in the country. He passed away this morning in a Toronto hospital at the age of 51.</p>
READ MORE<p><em>There is technology out there that can help reporters change their practices to reflect the reality of a need for constant news coverage. This was among the themes explored at </em><em>TechRaking, a conference put on by </em><em>Google and Centre for Investigative Reporting last week. <strong>Dana Lacey</strong>, a digital journalism specialist for Canadian start-up ScribbleLive, was in California for the conference, and explains how reporters can better utilize technology to produce quality journalism. </em></p><p> </p>
READ MORE<p>New ways of transmitting information that results in reports being spread at unprecedented speeds invariably leads to issues in verification: Sounds like a statement about 21<sup>st</sup> century social media and journalism, right?</p><p>Wrong. Well, at least in in this case. Here, I’m talking about how the story of the Titanic’s iceberg-striking ultimate fate broke, developed and spread.</p>
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