It’s about time that independent writers got our act together, and if
it takes a boycott of Canadian Living, More, Elle Canada, Homemakers,
and Vancouver Magazine to protest Transcontinental’s odious new
contract, so be it.

More
than a dozen organizations of Canadian writers “are calling on the
thousands of writers they represent to not write for any publications
owned by Transcontinental Media, effective immediately,” said a press
release.

Can a boycott hold up against the pressure of
thousands of writers eagerly lined up hoping for a shot of the action — and
willing to risk their own skins to undermine efforts by professional
writers
to improve everyone’s lot? I wouldn’t bet on it — writers are just as
naive, uninformed and unprincipled as the general population. There is
no “strike” fund for freelance writers. But I still support the
boycott, and I ask that you do as well.

What’s
really needed, imo, are changes to Canada’s anti-trust laws to give
them teeth — but that might be even harder to push through than a
boycott. Even the most ardent capitalists agree that free markets are
no longer “free” when monopolies take over — and Canadian media is
arguably controlled by a collection of mini-monopolies that stifle the
free enterprise of competitors, as well as of entrepreneurial writers.

Here is a link to the astonishing number of publications owned by Transcontinental.

Below is the press release in full, a link to the pdf, followed by a list of some of the magazines on the boycott list.

FOR IMMEDIATE RELEASE
Canadian writers unite in opposition to Transcontinental Media

(Toronto – September 30, 2009) In an unprecedented coalition, more than a dozen Canadian writers’ organizations are calling on the thousands of writers they represent to not write for any publications owned by Transcontinental Media, effective immediately. This act of protest is directed at the company’s new contract for freelance contributors, which these groups,  including the Professional Writers Association of Canada and the Canadian Writers Group,  believe to be abusive of writers’ rights.
Earlier this summer, Transcontinental Media began sending a new freelance contract – which  it calls a “Master Author Agreement” – to the many writers who contribute to its stable of  publications, including Canadian Living, More, Elle Canada, Homemakers, and Vancouver  Magazine. When this Master Author Agreement was unveiled, respected magazine industry  consultant D.B. Scott referred to it as a “take it or leave it” rights grab that, “in effect, indentures  the writer and their work to Transcon.”
In mid-June, Derek Finkle, of the Canadian Writers Group, and David Johnston, executive  director of the Professional Writers Association of Canada, sent a letter to Jacqueline Howe,  Transcontinental Media’s group publisher and vice president for English Canada, requesting a  meeting to discuss their concerns about the new Master Author Agreement. This letter was co-  signed by many provincial and national organizations, including the following:
      •    Canadian Freelance Union
      •    Canadian Writers Group
      •    The Cooke Agency
      •    Federation of BC Writers  
      •    Professional Writers Association of Canada
     •    Quebec Writers Federation
      •    Westwood Creative Artists
      •    Writers Alliance of Newfoundland and Labrador
      •    The Writers’ Union of Canada
On July 16, Finkle and Johnston, along with their legal counsel, Iain MacKinnon, met with  Howe and Pierre Marcoux, Transcontinental Media’s senior vice president of the business  and consumer solutions group. Finkle and Johnston raised four primary concerns:
 1. Transcontinental’s new contract was muddying the copyright waters. The Master Author  Agreement grants copyright of each work to the author but then undercuts this copyright  by licensing the following extraordinary rights: “The ongoing non-exclusive right to do  in respect of the Work any other act that is subject to copyright protection under the  Canadian Copyright Act (including, without limitation, the right to produce and reproduce,  translate, develop ancillary products, perform in public, adapt and communicate the  Work, in any form or medium) as well as to authorize others to do so on behalf of or in  association with the Publisher.”
 2. The agreement is permanent. Once signed, it covers all future work for      Transcontinental publications.
 3. Transcontinental has no intention of compensating freelancers for the many additional     uses of their work. In essence, the company wants to continue paying what it’s been     paying for decades for basic first publication rights but now get unlimited rights to     writers’ work.
 4. The Master Agreement is one-sided. It makes no mention of payment terms, kill fees,     provisions for libel suits, and other important issues that are part of any balanced     contributor’s agreement.      
On September 1, Marcoux stated that Transcontinental does not intend to make any changes  to the contract at the present time. This was in spite of the concerns voiced by just about  every writers group, association, federation, agency, and union in the country.
As a result, these organizations are making an unprecedented stand against   Transcontinental’s Master Author Agreement. This coalition has also now grown to include:
      •    Anne McDermid & Associates
      •    Association des journalistes indépendants du Québec
      •    Canadian Authors Association
      •    Toronto Writers’ Centre  
The coalition’s campaign to oppose this contract includes the following:
 1. A mass communications effort to inform and encourage writers across the country to     not write for Transcontinental publications, an effort that will be monitored by the     participating organizations and by writers themselves. The coalition will also assist     writers in locating alternative markets for their work.
 2. A national petition.
 3. Lobbying of the federal ministries of industry and heritage. In addition to funding for     the magazine industry, these ministries are currently overseeing changes to Canadian     copyright law.
 4. A multi-platform campaign to make advertisers in Transcontinental publications aware     of the company’s heavy handed attitude towards an important part of the massive     cultural sector.
 5. A unique and creative mass effort to implore Transcontinental editors to strive for     change within their own company.  These actions will be rolled out in the coming weeks to show Transcontinental Media that  its publications – and, by extension, its readers and advertisers – will suffer significant  consequences by moving forward with this contract.
For more information, contact:
Derek Finkle
Canadian Writers Group
416-469-3333
David Johnston
Executive Director,  
Professional Writers Association of Canada
416-504-1645

A list of just some of Transcontinental magazines is below. The company also owns newspapers in New Brunswick, Newfoundland and Labrador, Nova Scotia, Ontario
Prince Edward Island and Saskatchewan. Source: the company’s web site.

        Bel Âge
        Journal Le Bel Âge
        Canadian Gardening
        Canadian Home & Country (discontinued)
        Canadian Living
        Commerce
        Constructo
        Coup de Pouce
        Décormag
        ELLE CANADA
        ELLE QUÉBEC
        Fleurs Plantes Jardins
        Finance et Investissement
        Good Times
        Homemakers
        Investment Executive
        Le Guide de l’Acheteur
        Les 100 leaders de la construction au Québec
        Les Affaires
        Madame
        Maison D’aujourd’hui
        Mon Chalet (discontinued)
        More
        Ottawa at Home
        Productions Maison Direct
         (Maison Direct, Condo Direct and Maisonsneuves.com)
        Publimag
        Québec Vert
        Style at Home
        The Hockey News
        Vancouver Magazine
        Vancouver’s Magazine Cityguide
        Vancouver’s Magazine Guestlife
        Vision Durable (discontinued)
        Vita
        Voir Vert
        Western Living